year/2021
country/US+EU
label/MAIS UM (MAIS036LP)

ヒップホップネタでもお馴染みの定番リディムを使用した本LPにも収録の「おてもやん」は7inch Editカットされ即完売→高額盤へと早々と変化...。
NHKや通信社にも取り上げられるなど、今やお茶の間にもその名を広めつつある民謡クルセイダーズ!! 2017年12月リリースの衝撃のファーストアルバム『エコーズ・オブ・ジャパン』がKIMONO　BLUE盤として待望のリイシュー。


かつて戦後間もない頃、偉大なる先達―東京キューバンボーイズやノーチェクバーナが大志を抱き試みた日本民謡とラテン・リズムの融合を21世紀に再生させる、民謡クルセイダーズ。
福生在住のギタリスト、田中克海と民謡歌手、フレディ塚本を中心に結成。
ラテン、カリブ、ジャマイカ音楽に精通したミュージシャンたちと米軍ハウスでセッションを重ねて生み出された、新しい時代の民謡大全集。
誰もが知っている日本民謡が、ラテンやブーガルー、クンビア、レゲエ、さらにはアフロビートやエチオ・ファンク等々、奇想天外なアレンジで生まれ変わる。３つの打楽器を土台とする躍動感あふれるサウンドと、真っ当な民謡の歌唱が織りなす未知の世界。民謡や音頭好きはもちろん、ラテン音楽愛好家、スカやレゲエのファン、アフロビートや辺境グルーヴ好きも魅了するまったく新しいサウンド、グルーヴを体感してほしい。YOI YOI! 昨今のクラブ・ミュージック文脈における和モノの隆盛や、愛知県豊田市の〈橋の下世界音楽祭〉をはじめ、盆踊りや祭りを取り入れた野外フェスが日本各地で開催され、東京の〈すみだ錦糸町河内音頭大盆踊り〉が異様な盛り上がりを見せたりするなか、大きな注目を集めること間違いナシ！
カセットコンロスのアンドウケンジロウがゲスト参加。福生の米軍ハウスにおける録音を、内田直之（LITTLE TEMPO、OKIDUB AINU BAND等）がミックス。
ジャケット・デザインは木村豊（Central67）が担当。(k)

A1 KUSHIMOTO BUSHI
A2 HOHAI BUSHI
A3 OTEMOYAN
B1 MAMUROGAWA ONDO
B2 YASUGI BUSHI
C1 AKITA NIKATA BUSHI
C2 TOICHIN BUSHI D1 TANKO BUSHI
D2 AIZUBANDAISAN D3 SUMO JINKU



参考動画

https://youtu.be/swQ9_UN_zi4

“It wasn’t your looks that charmed me, I liked the silver accessory on your tobacco case” (Lyric from Otemoyan)

Minyo Crusaders rework historic Japanese folk songs (min'yō) with Latin, African, Caribbean and Asian rhythms on their debut album “Echoes of Japan”.

Recent releases from Ryuichi Sakamoto, Haruomi Hosono and Midori Takada have re-ignited global interest in Japanese music and with Ry Cooder, Mario Galeano (Ondatrópica/Frente Cumbeiro) and Clap! Clap! already fans of the ten-piece, “Echoes of Japan” marks the arrival of a big band like no other, where distinctive min'yō vocals glide over grooves that join the dots between cumbia, Ethiopian jazz, Thai pop, Afro funk and reggae.

“For Japanese people, min'yō is both the closest, and most distant, folk music” explains band-leader Katsumi Tanaka: “We may not feel it in our daily, urban lives, yet the melodies, the style of singing and the rhythm of the taiko drums are engrained in our DNA”.

Initially indifferent to min'yō, a tragic event in recent Japanese history set Tanaka on his current path: “Following the Tohoku earthquake of 2011, like many Japanese, I reflected on my life, work and identity. A fan of world music, I began searching for Japanese roots music I could identify with. Discovering mid-late 20th century acts Hibari Misora, Chiemi Eri and the Tokyo Cuban Boys, I was captivated by their eccentric arrangements and how they mixed min'yō with Latin and jazz.” Freddie fell for min'yō after hearing a song from his hometown on a TV competition whilst in a restaurant. It was a revelation - up till then he had been an aspiring jazz singer yet was uncomfortable singing in a foreign language. The restaurateur told him a min'yō teacher was his neighbour, and the rest is history.

Originally sung by fishermen (Kushimoto Bushi; Mamurogawa Ondo), coal miners (Tanko Bushi) and sumo wrestlers (Sumo Jinku), these songs deal with topics such as the returning spirits of ancestors (Hohai Bushi), Japan’s smallest bird (Toichin Bushi) and a bride’s undying love for her husband’s pockmarked face (Otemoyan), evoking nostalgia for a forgotten Japan. “As a traditional performing art, min'yō is considered highbrow, yet these are mainly songs for working, dancing or drinking - we want to return them to their literal meaning as ‘songs of the people’ ”.

In the late 90s Tanaka moved to Fussa, a city in western Tokyo steeped in counter-culture folklore as the home of Eiichi Ohtaki of Japanese rock band Happy End. Tanaka met Tsukamoto playing in a session band where the latter was singing soul. Aware that Freddie’s true passion was min'yō, Tanaka asked him to form a band to revive this style. They invited other musicians such as local drumming legend Sono and for the first few years played low-key shows yet a turning point came when bassist DADDY U, a veteran of the Tokyo roots music scene and the respected Ska Flames, joined. Through him they met keyboard player Moe, the leader of spiritual Caribbean jazz band Kidlat; sax player Koichiro Osawa, a member of Japanese-reggae/ska groups Matt Sounds and J.J. Session and regular pick-up for reggae musicians visiting Japan; trumpeter Yamauchi Stephan, also a member of J.J. Session; percussionist Mutsumi Kobayashi of Tokyo’s cumbia Banda de la Mumbia; Irochi, conga player with Afro Cuban band Cubatumb and vocalist Meg, a member of respected tropical DJ collective Tokyo Sabroso. Since then they have become a fixture on the Tokyo music scene and went national in 2018 through festivals such as Fuji Rock.

With songs encouraging dancing and drinking, the Crusaders are on a mission to bring “highbrow” min'yō back to it's “lowlife” roots -whilst also bringing traditional Japanese music onto the global music stage: “The point is to avoid making it too complicated” adds Tanaka, “since min'yō is for everyday people.”

Minyo Crusaders are (descriptions by Katsumi Tanaka)

Freddie Tsukamoto (vocals): “Stubborn, like an old Japanese man”
Meg (vocals, melodica): “Spiritual jazz lover. Never talks on stage”
Katsumi Tanaka (guitar): “Collector of bizarre Japanese guitars”
DADDY U (bass): “Caribbean music freak”
Moe (keyboards): “Comic collector, synth-head, easy-going”
Sono (timbales): “Dog lover”
Mutsumi Kobayashi (bongos): “Beat master & happy mood maker”
Yamauchi Stephan (trumpet): “Most organised and reliable”
Koichiro Osawa (sax) “The party man and our craziest performer”
Irochi (congas): “Our mascot. Something always happens on tour”