Walter Bishop Jr : Coral keys (LP/with Obi)

RGM1078

  • Walter Bishop Jr : Coral keys (LP/with Obi)
year/2020
country/US/Japan
label/Real Gone Music (RGM1078)

帯付き輸入盤!!
REAL GONEからBLACK JAZZ RECORDSのリマスターLPで再発。
言わずと知れたピアノ・トリオの傑出『 Speak Low』を世に送り出したピアニストWalter Bishop Jr.71年の傑作。



Blue Note4100番代にその軌跡を残すソウル・ジャズの名手Harold Vicのフルート/ソプラノをフューチャーした前半4曲。後半はドラマーがIdris Muhammadから,Alan Shwaetzに変わり、Woddy Shawを加えた2ホー ン。(k-)

【参加メンバー / 楽器】
Walter Bishop Jr(p),Harold Vic(fl,ss,ts),Woddy Shaw(tp on Tr.5,6,7),Reggie Johnson(b),Idris Muhammad(ds on Tr.1,2,3,4),Alan Shwaetz Benger(ds on Tr.5,6,7)

1.Coral Keys
2.Waltz For Zweetie
3.Track Down
4.Soul Turn Around
5.Our November
6.Three Loves
7.Freedom Suite


https://youtu.be/sY8q1-Y_adA


https://youtu.be/82Ki8HV5u1k


The first release on Black Jazz was by pianist and label producer Gene Russell; for the label's second release, Russell chose another piano man of impeccable taste, Walter Bishop, Jr. But while much of Russell's record consisted of songs composed by others, Bishop's record features all originals, most notably 'Soul Turn Around,' a groover that later turned up on Freddie Hubbard's 1969 LP A Soul Experiment. Bishop had helmed several releases before this one, including dates with John Coltrane bassist Jimmy Garrison and Miles Davis drummer Jimmy Cobb among others, so it's not surprising he assembled a heavy hitting line-up for Coral Keys, including Woody Shaw on trumpet, Reggie Jackson on bass, Idris Muhammad on drums, and Harold Vick on flute, tenor, and soprano sax. Think Herbie Hancock's '60s Blue Note recordings gently polished with a soul jazz sheen; this is some tasty stuff that's been hard to find for way too long. Remastered by Mike Milchner at Sonic Vision, and pressed at Gotta Groove Records in black vinyl with lacquer cutting by Clint Holley and Dave Polster at Well Made Music, this long-awaited release includes notes by Pat Thomas, author of Listen, Whitey! The Sights and Sounds of Black Power 1965-1975, which place both the Black Jazz label and this album in a broader musical and societal context. Produced for reissue by Real Gone Music's own Gordon Anderson and decorated jazz archivist Zev Feldman.

3,960円(税込)

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